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undergraduate thesis
Narodni napjevi u zborskim skladbama
2018. urn:nbn:hr:137:302254
Žufić, Ivan
University of Pula
Academy of Music in Pula

Cite this document

Žufić, I. (2018). Narodni napjevi u zborskim skladbama (Undergraduate thesis). Pula: University of Pula. Retrieved from https://urn.nsk.hr/urn:nbn:hr:137:302254

Žufić, Ivan. "Narodni napjevi u zborskim skladbama." Undergraduate thesis, University of Pula, 2018. https://urn.nsk.hr/urn:nbn:hr:137:302254

Žufić, Ivan. "Narodni napjevi u zborskim skladbama." Undergraduate thesis, University of Pula, 2018. https://urn.nsk.hr/urn:nbn:hr:137:302254

Žufić, I. (2018). 'Narodni napjevi u zborskim skladbama', Undergraduate thesis, University of Pula, accessed 19 April 2024, https://urn.nsk.hr/urn:nbn:hr:137:302254

Žufić I. Narodni napjevi u zborskim skladbama [Undergraduate thesis]. Pula: University of Pula; 2018 [cited 2024 April 19] Available at: https://urn.nsk.hr/urn:nbn:hr:137:302254

I. Žufić, "Narodni napjevi u zborskim skladbama", Undergraduate thesis, University of Pula, Pula, 2018. Available at: https://urn.nsk.hr/urn:nbn:hr:137:302254

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Metadata
TitleNarodni napjevi u zborskim skladbama
Title (english)Folk songs in choral compositions
AuthorIvan Žufić
MentorLaura Čuperjani (mentor)
Committee memberMassimo Brajković (predsjednik povjerenstva)
Committee memberLaura Čuperjani (član povjerenstva)
Committee memberMirjana Grakalić (član povjerenstva)
GranterUniversity of Pula
(Academy of Music in Pula)
Pula
Defense date and country2018-09-21, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Abstract
Istarsko-primorska glazba već je u prošlom stoljeću postala predmetom istraživanja etnomuzikologa i melografa. Uz Franju Kuhača (koji je bio otac etnomuzikologije), javljaju se i ostali melografi i skladatelji poput Matka Brajše Rašana, Ivana Matetića-Ronjgova, Slavka Zlatića i drugih. Glazbeno naslijeđe regije ukazuje na nekoliko načina pjevanja kao i na različite instrumente. Istra, kao multinacionalna sredina, prihvaćala je različite načine pjevanja i sviranja. Narodno se pjevanje krenulo razvijati od dvoglasnog pjevanja, a skladatelji su na bazi pretežno dvoglasnih zapisa kreirali skladbe za zbor i tako dali veliki doprinos zborskoj umjetničkoj literaturi. Veliku ulogu u zborskim skladbama igra i harmonijska nadgradnja (napjeva) uz karakteristične elemente istarsko-primorskog glazbenog izričaja.
Abstract (english)
In the last century, the Istrian-Littoral music has become the subject of research of various ethnomusicologists and music collectors. Alongside Franjo Kuhač, the father of ethnomusicology, some prominent music collectors and composers were Matko Brajša Rašan, Ivan Matetić-Ronjgov, Slavko Zlatić and many others. The musical heritage of the region emphasises several ways of singing as well as the usage of numerous instruments. Istria, as a multinational region, has always embraced different ways of singing and playing. The traditional folk singing started to develop from two-part singing. The composers created choir compositions based on two-part notations and thus gave a major contribution to the choral artistic literature. Additionally, the harmonic upgrade of the melodies with the characteristic elements of Istrian-Littoral musical expression plays a significant role in choral compositions.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:137:302254
Study programmeTitle: Pedagogy of Music
Study programme type: university
Study level: undergraduate
Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) glazbene pedagogije (sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) glazbene pedagogije)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2018-10-09 12:31:15