Abstract | Likovno stvaralaštvo igra znatnu ulogu u odgajanju djeteta; ono ga stimulira na potpunije zapažanje, na emocionalno doživljavanje, te ujedno razvija interese, volju, pažnju, ustrajnost, kombinatoriku i maštu djeteta. U formi i sadržaju dječjeg crteža može se puno saznati o intelektualnom i emocionalnom, psihičkom i tjelesnom stanju razvijenosti djeteta. U likovnom radu djeteta nalazi se i odraz karaktera i temperamenta djeteta, to jest svi oni činitelji koji sačinjavaju dijete kao individuu u razvoju; njegova okolina, pedagoški pozitivni i negativni utjecaji i njegov položaj u društvu. U slikarske materijale ubrajaju se: suhi (voštane i suhe pastele, kolaž, asamblaž), mokri (gvaš, tempera, akvarel, akril), te s uljanim vezivom (uljane boje, masne pastele, enkaustika). Slikarske kistove dijelimo u dvije glavne kategorije: meke kistove od dlake crvenih samura, vjeverica, volova te umjetnih mekih dlaka, a tu su i tvrdi, krući i otporniji čekinjasti kistovi od svinjske dlake ili sintetičkih vlakana. Osim velikog izbora kistova za slikanje, mnogo je drugih alternativnih načina nanošenja boje, npr.: razne spužve i jastučići, lopatice, valjci za boje, slikarski noževi, te zračni kistovi. U većini periodizacija dječjeg likovnog izražavanja možemo uočiti osnovni Linquetov model gdje su navedene tri osnovne faze: 1.) Faza šaranja, kao početnog likovnog izražavanja, 2.) Faza dječjeg, odnosno intelektualnog realizma, kao početak namjernog prikazivanja, 3.) Faza vizualnog realizma- napuštanje dječjeg realizma, propadanje dječjeg crteža (Piaget, 1975.). Za rad s predškolskom djecom najpogodnija slikarska tehnika jest tempera i to u što većem rasponu boja. Djeca se vole igrati gustim bojama koje dobro prekrivaju površinu papira, te se pomoću njih lako likovno izražavaju. Djeca slikaju kao što i crtaju, odnosno ona najprije oslikaju obris oblika, potom ga popunjavaju bojom koju vole koristiti u njezinom izvornom obliku. Za razliku od tempere, akvarel je djeci poprilično zahtjevna tehnika. Onaj koji slika mora biti vješt, brz i discipliniran. Gvaš je tehnika slikanja akvarelom u koji se miješa gusta bijela boja. Sličan je temperi, gust je i neproziran, za razliku od akvarela. Boje gvaša nisu toliko intenzivne kao kod slikanja temperom, no zbog svoje gustoće i mazivosti djeca se njime lako izražavaju.
Tehnika kolaža je izuzetno korisna za razvoj fine motorike, te motorike ruke i šake kod djece. Kao materijal služe raznobojni papiri (kolažne mape), izresci iz novina, časopisi, tekstil, fotografije, koža, stari likovni radovi, brusni papir, itd. Ti materijali omogućuju bogat izvor boja, tekstura, oblika i motiva. Uljane i akrilne boje nisu pogodne za djecu predškolske dobi jer su složene i prezahtjevne da bi se djeca mogla njima koristiti. Ostale slikarske tehnike koje možemo približiti djeci jesu mozaik i tapiserija. Mozaik mogu slagati pomoću kolaž papira izrezanog u kvadratiće (i drugim manjim oblicima) ili mogu plesti tapiseriju. Prenošenjem svojih ideja na papir, dijete se ekspresivno izražava, te ujedno vježba okulomotoriku, finu motoriku, motoriku ruku i šake, ali i nesvjesno započinje svoje prvo učenje o kompozicijskim elementima (harmonija, kontrast, jedinstvo, simetrija, ritam, ravnoteža). |
Abstract (english) | Abstract art creativity plays a substantial role in the upbringing of the child; what stimulates him to complete an observation, to the emotional experience, and at the same time, evolving interests, will, attention, persistence, combinatorial mathematics and the imagination of the child. In form and content of children's drawings can be a lot to find out about the intellectual and the emotional, psychological and physical development status of the child. In the child’s artistic work is located a reflection of the character and temperament of the child, that is, all those factors that make up a child as the individual in the development; his environment, pedagogical positive and negative influences and his position in society. The painting materials include: dry (wax and dry pastel, collage and assembly), wet (gouache, tempera, watercolor, acrylic), and with oil on binder (oil paints, greasy pastels, encaustic painting). Painting brushes are divided into two main categories: the soft brushes of hairs red sable, squirrel, oxen and artificial soft hair, and there are claims, more rigid and more resistant bristle brushes from pig hair or synthetic fibers. Besides a large selection of brushes for painting, there are plenty of other alternative ways of applying color, e.g.: a variety of sponges and pads, shoulder blades, rollers for paints, painting knives, and air brushes. The majority of children's expression of the art periodization can be identified by the basic Linquet model where they listed three primary phases: Phase 1.), as an art of initial scribbling of expression, 2.) Phase of the child, or the intellectual realism, as the beginning of a deliberate display, 3.) Phase of virtual realism- abandonment of the child, a child's drawing, the decline of realism (Piaget, 1975). For working with preschool children most desirable painting technique is tempera with large color range. Children love to play with dense colors that are good for covering the surface of the paper, and are easy to use to express their art. Children paint in the same way they draw; first they paint the outline of the shape, then fill the image with a color, which they like to use in its original form. Unlike tempera, watercolors are pretty much demanding technique for children. The one that paints must be skilled, speedy and disciplined. Gouache painting technique is watercolor mixed with thick white paint. It's similar to tempera, thick and opaque, as opposed to watercolors.
Gouache colors are not as intense as in painting with tempera, but due to its density and lubrication it is easy for children to express themselves. The technique of collage is extremely useful for the development of fine motor skills, and motor skills of the arms and hands in children. As the material serve colorful papers (peaking at # 12 in a folder), clippings from newspapers, magazines, photographs, textiles, leather, old art works, sandpaper, etc. These materials provide a rich source of colors, textures, shapes and motifs. Oil and acrylic paints are not suitable for children of preschool age, because they are complex and complicated for children to use them. Other painting techniques that we can approach to children are mosaic and tapestry. Children can arrange mosaic with collage paper cut into squares (and other smaller shapes), or they can weave a tapestry. By transferring his ideas on paper, the child expresses the expressive, and at the same time, exercises oculomotor functions, fine motor skills, motor skills of hand and fist, but also unknowingly begins his first learning about the compository elements (harmony, contrast, unity, symmetry, rhythm, balance). |