This final work is dealing with the theme of the pastoral comedy of one of the most impressive writers of Croatian Renaissance literature of the 16th century, Marin Držić. When he found an appropriate historical background and a literary scheme, he set out to write a piece which will be the trigger for his success. The qualities of his authenticity are the peculiarities with which he shaped his work. Namely, he didn't stop at the well-known story that forms the foundation of pastoral literature; idylic nature where shepherds and satyrs live, in love with fairies, a love plot that ends so that in the end everyone gets what they deserve, even more than they expected, he has already very skilfully weaved the characteristics that make him and his work different from all other writers and works, known so far. He breathed a specific spirit into his characters, leaving them the characteristics of the realistic world to which they actually belong, and that is the rural environment. With all this he proved that he was a virtuoso writer, worth of standing by his predecessors, the greats of Croatian literature. Tirena has various names for the type of work, but the writer himself likes to call it a pastoral comedy. Due to its diversity and multifaceted literary importance, it has remained to this day a recognizable work of Croatian Renaissance literature and literature in general.