prikaz prve stranice dokumenta Priprema za interpretaciju Brucknerovog moteta Ave Maria
  Download
PDF 1.15 MB
undergraduate thesis
Priprema za interpretaciju Brucknerovog moteta Ave Maria
2016. urn:nbn:hr:137:222218
Lešnjak, Ljiljana
University of Pula
Academy of Music in Pula

Cite this document

Lešnjak, Lj. (2016). Priprema za interpretaciju Brucknerovog moteta Ave Maria (Undergraduate thesis). Pula: University of Pula. Retrieved from https://urn.nsk.hr/urn:nbn:hr:137:222218

Lešnjak, Ljiljana. "Priprema za interpretaciju Brucknerovog moteta Ave Maria." Undergraduate thesis, University of Pula, 2016. https://urn.nsk.hr/urn:nbn:hr:137:222218

Lešnjak, Ljiljana. "Priprema za interpretaciju Brucknerovog moteta Ave Maria." Undergraduate thesis, University of Pula, 2016. https://urn.nsk.hr/urn:nbn:hr:137:222218

Lešnjak, Lj. (2016). 'Priprema za interpretaciju Brucknerovog moteta Ave Maria', Undergraduate thesis, University of Pula, accessed 23 January 2025, https://urn.nsk.hr/urn:nbn:hr:137:222218

Lešnjak Lj. Priprema za interpretaciju Brucknerovog moteta Ave Maria [Undergraduate thesis]. Pula: University of Pula; 2016 [cited 2025 January 23] Available at: https://urn.nsk.hr/urn:nbn:hr:137:222218

Lj. Lešnjak, "Priprema za interpretaciju Brucknerovog moteta Ave Maria", Undergraduate thesis, University of Pula, Pula, 2016. Available at: https://urn.nsk.hr/urn:nbn:hr:137:222218

Please login to the repository to save this object to your list.
Metadata
TitlePriprema za interpretaciju Brucknerovog moteta Ave Maria
Title (english)Preparation of Bruckner's motets Ave Maria
AuthorLjiljana Lešnjak
MentorDomeniko Briški (mentor)
Committee memberLaura Čuperjani (predsjednik povjerenstva)
Committee memberDomeniko Briški (član povjerenstva)
Committee memberBranko Okmaca (član povjerenstva)
GranterUniversity of Pula
(Academy of Music in Pula)
Pula
Defense date and country2016-09-23, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Music Education
Abstract
U ovom radu prikazan je proces pripreme Brucknerovog moteta Ave Maria za rad sa zborom. Preko informacija o skladatelju, i njegovom životu ušli smo u svijet u kojem je on živio, u svijet u kojem je skladao svoje djelo. Najvažniji princip pripreme kompozicije za interpretaciju jest približiti se ideji koja je skladatelja provocirala da napiše točno takvu kompoziciju kakvu imamo ispred sebe. Bitno je odgovoriti na pitanje zašto je nešto takvo kakvo je. Kroz detaljnu analizu teksta i glazbe uspjeli smo odgovoriti na važna pitanja u vezi interpretacije Brucknerovog moteta Ave Maria.
Abstract (english)
This paper demonstrates the process of preparation od Bruckner's motet Ave Maria for a choir practice. Through the information on the composer and his life, we entered the world in which he lived, in which he composed his piece. The most important principle of preparation of the composition for the interpretation is to get closer to the idea which provoked the composer to write the exact composition which we have before us. It is important to answer the question why something is made like it is. Through detail analysis of text and music we managed to answer important questions in relation to the interpretation of Bruckner's motet Ave Maria.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:137:222218
Study programmeTitle: Pedagogy of Music
Study programme type: university
Study level: undergraduate
Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) glazbene pedagogije (sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) glazbene pedagogije)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2016-10-11 08:52:19