prikaz prve stranice dokumenta Dirigentski aspekt interpretacije djela G. Donizettija Messa di Gloria e Credo, A 606
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master's thesis
Dirigentski aspekt interpretacije djela G. Donizettija Messa di Gloria e Credo, A 606
2022. urn:nbn:hr:137:234340
Cukon, Toni
University of Pula
Academy of Music in Pula

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Cukon, T. (2022). Dirigentski aspekt interpretacije djela G. Donizettija Messa di Gloria e Credo, A 606 (Master's thesis). Pula: University of Pula. Retrieved from https://urn.nsk.hr/urn:nbn:hr:137:234340

Cukon, Toni. "Dirigentski aspekt interpretacije djela G. Donizettija Messa di Gloria e Credo, A 606." Master's thesis, University of Pula, 2022. https://urn.nsk.hr/urn:nbn:hr:137:234340

Cukon, Toni. "Dirigentski aspekt interpretacije djela G. Donizettija Messa di Gloria e Credo, A 606." Master's thesis, University of Pula, 2022. https://urn.nsk.hr/urn:nbn:hr:137:234340

Cukon, T. (2022). 'Dirigentski aspekt interpretacije djela G. Donizettija Messa di Gloria e Credo, A 606', Master's thesis, University of Pula, accessed 31 January 2025, https://urn.nsk.hr/urn:nbn:hr:137:234340

Cukon T. Dirigentski aspekt interpretacije djela G. Donizettija Messa di Gloria e Credo, A 606 [Master's thesis]. Pula: University of Pula; 2022 [cited 2025 January 31] Available at: https://urn.nsk.hr/urn:nbn:hr:137:234340

T. Cukon, "Dirigentski aspekt interpretacije djela G. Donizettija Messa di Gloria e Credo, A 606", Master's thesis, University of Pula, Pula, 2022. Available at: https://urn.nsk.hr/urn:nbn:hr:137:234340

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Metadata
TitleDirigentski aspekt interpretacije djela G. Donizettija Messa di Gloria e Credo, A 606
AuthorToni Cukon
MentorDomeniko Briški (mentor)
Committee memberMassimo Brajković (predsjednik povjerenstva)
GranterUniversity of Pula
(Academy of Music in Pula)
Pula
Defense date and country2022-09-26, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Reproductive Music (Conducting, Singing, Playing an Instrument)
Abstract
Cilj rada jest prikazati i sagledati djelo kroz oči dirigenta – što on zamjećuje i procjenjuje da je važno, ali i što mu je potrebno znati o okolnostima nastanka djela i životu skladatelja. Dirigent mora pronaći način da oda počast tvorcu djela i ispoštuje njegovu prvotnu zamisao, a onda uz pomoć svoga poznavanja svih aspekata glazbe razvije vlastitu interpretaciju. Tek nakon takve pripreme može stati pred izvođače – s potpunom predodžbom zvuka kojeg želi postići i jasnim uputama za izvođače kako bi se to ostvarilo.
Abstract (english)
The aim of this thesis is to present and observe the piece through the eye of a conductor – what he notices and thinks is important, but also what is necessary for him to know about the circumstances of its creation and the composer's life. The conductor must find a way to honor the creator of the piece and his original idea, then guided by understanding of all the aspects of music he can develop his own interpretation. Only after that kind of preparation can he stand in front of the performers – with a complete mental representation of the sound he wants to achieve along with the prepared clear instructions for the musicians.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:137:234340
Study programmeTitle: Pedagogy of Music
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra glazbene pedagogije (magistar/magistra glazbene pedagogije)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2022-09-28 08:06:13